The Degeneration of Culture

I reprint below an excellent substack post by Ted Gioia – a keen cultural observer, especially of music.

He explicates many of the obvious trends in our cultural degeneration. As one who has studied the entertainment industries from the inside and out, I have shown that these trends are primarily driven by technology and economics. Digital tech has minimized the return to risk for publishers and distributors, leading to the depletion of risk capital. Without risk capital on unproven art, there is no investment in the new and innovative. Thus, we get the most risk averse business models that basically regurgitate what worked last time. We see this is movies, music, visual arts, and books.

14 Warning Signs That You Are Living in a Society Without a Counterculture

by Ted Gioia

I’ve occasionally mentioned, in interviews and other settings, that we are living in a society without a counterculture. People ask me what I mean by this.

That’s a a reasonable question, but the new normal defies simple explanation. At some point, I hope to write in-depth on this subject. But today I will simply offer a quick definition, and then share 14 tweets.

These capture the flavor of what I’m trying to express better than any long-winded analysis.

First, here’s a quick definition. These are the key indicators that you might be living in a society without a counterculture:

    • A sense of sameness pervades the creative world
    • The dominant themes feel static and repetitive, not dynamic and impactful
    • Imitation of the conventional is rewarded
    • Movies, music, and other creative pursuits are increasingly evaluated on financial and corporate metrics, with all other considerations having little influence
    • Alternative voices exist—in fact, they are everywhere—but are rarely heard, and their cultural impact is negligible
    • Every year the same stories are retold, and this sameness is considered a plus
    • Creative work is increasingly embedded in genres that feel rigid, not flexible
    • Even avant-garde work often feels like a rehash of 50-60 years ago
    • Etc. etc. etc.

This is a deep matter, and I won’t try to unlock all the nuances here. I will now simply share 14 tweets that capture the stale taste of life without a counterculture. Some of these tweets are my own, others from total strangers—but they all paint the same overall picture.


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You might be living in a society without a counterculture if. . . .

(A story told in 14 tweets)


1. Every screen shows the same movie.

Twitter avatar for @tedgioiaTed Gioia @tedgioia

Shared without comment.

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2. Alt Weeklies disappear in every city—along with everything else that’s alternative or outside the norm.


3. The most popular song doesn’t change for three years in a row.

Twitter avatar for @rps_prRock Paper Scissors PR @rps_pr

Are we stuck in a loop? bit.ly/39awdlpvia: @tedgioia

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4. The banal word ‘content’ is used to describe every type of creative work, implying that artistry is generic and interchangeable.


5. There are lots of journalists, but they all seem to be working for the same corporations.


6. The dominant company in the creative culture views everything as a brand extension.


7. Indie music and alt music are marginalized.


8. Telling jokes becomes a dangerous profession.


9. The experts who ‘explain’ the culture to us all seem to be insiders with identical backgrounds.


10. This year’s movies look a lot like last year’s movies.

Twitter avatar for @RPK_NEWS1RPK @RPK_NEWS1

Biggest films/shows of 2022. What are you looking forward to the most?

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11. Even elite awards for creativity are dominated by reboots and remakes.


12. Five companies have almost complete control over the book business—where, in an earlier day, dozens of indie publishers thrived.


13. Everybody is encouraged to watch the same TV shows and movies—with niche options gradually removed from the dominant platforms.


14. All those nasty, rebellious songs that defy authorities are now owned by hedge funds.

From Disruption to Dystopia

Very interesting article by Joel Kotkin, who researches the economics and politics of cities. It portrays a future that resembles feudalism more than free market democratic capitalism. I’d optimistically venture there will eventually be a more humanist backlash against the future dominance of technology.

From Disruption to Dystopia: Silicon Valley Envisions the City of the Future

The unaffordable Bay Area, Google’s new neighborhood ‘built from the internet up,’ and China’s police state each offer glimpses of what the tech giants plan to sell the rest of us.

by Joel Kotkin

The tech oligarchs who already dominate our culture and commerce, manipulate our moods, and shape the behaviors of our children while accumulating capital at a rate unprecedented in at least a century want to fashion our urban future in a way that dramatically extends the reach of the surveillance state already evident in airports and on our phones.

The drive to redesign our cities, however, is not really the end of the agenda of those who Aldous Huxley described as the top of the “scientific caste system.” The oligarchy has also worked to make our homes, our personal space, “connected” to their monitoring and money machines. This may be a multibillion-dollar market soon, but many who have employed such devices at home—appliances that track our activities and speak to us like loyal servants—find them “creepy,” as they should, given that their daily activities are fed back to enrich the high-tech hive mind. Both the city and house the future may owe more to Brave New World than Better Homes and Gardens.

This is a vision of the urban future in which the tech companies’ own workers and whatever other people with skills the machines haven’t yet replaced are a new class of urban serfs living in small apartments, along with a much larger class of dependent persons living on “income maintenance” and housing or housing subsidies provided by the state. “Bees exist on Earth to pollinate flowers, and maybe humans are here to build the machines,” observes professor Andrew Hudson-Smith, from University College London’s Centre for Advanced Spatial Analysis. “The city will be one big joined-up urban machine, and humans’ role on Earth will be done.”

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